At first gaze, this hyper-glitch Opera is incongruously out of time. One enters another world: meets mushrooms and corals, glass artichoke-hand grenades, the cross-section of which recur in graphic scores – cartographies that in turn provide the basis for the choreographic work. Drawings of allegorical sparrow figures are transformed into hand-painted costumes reminiscent of parachute-silk Arcimboldos during the process. Multiple reconfigurations of body and space in which words and gestures, movement and drawing, sculpture and language are ceaselessly translated into one another, into a mythological fabric in which everything is metaphorically interwoven; Bang Bang Baroque, Mao Zedong’s Sparrow War encounters traditional dance notations; Oskar Schlemmer and Klaus Nomi, Octavia Butler and Legacy Russel meet in baroque wigs for a ritual dance. A deep sigh; of relief or despair? Exhale, Deflation. Back to work. Until we glitch again, with a cocktail chalice in hand.
— Maire Glassl
A film by: Emma Waltraud Howes. Production Manager: Marie Glassl
Performer, Co-Composition and Vocals (Aria Monumental): Kinga Ötvös
Research (Aria Monumental): Jess Gadani
Performer (Metronome Timekeeper): Jao Moon
Performer (Scorekeeper I): Joni Barnard
Performer (Scorekeeper II): Annalise Van Even
Performer (Battle aka Let All Canons Fall, or Aktualneurosen): Eli Cohen
Performer (Cornucopia aka Energetic Pessimist (after Kristeva)): Chia - Ying Chiang, Sonya Levin
Performer (Narcissist aka The Narcissist, or Elsa's Muse): Przemek Kamiński
Director of Photography: Kleber Nascimento
Camera Operator: Lena Krenz
Sound Recording & Design: Adam Asnan
Composition : Jacob Stoy
Composition Research: Ethan Braun
Costume Design (Baroque(n) Tethers): Studio Marta Martino
Costume Design (Scorekeepers Attire): Don Aretino & Muyao Zhang
Hair and Makeup Special Effects: Caterina Veronesi
Co-production: Ludwig Kameraverleih, SUMOLIGHT
Color Grading : Gregor Pfüller, Maren Henke